The 2026 Cannes Film Festival just wrapped, and for me the real headline wasn’t a single film — it was Demi Moore. Jury duty handed her a brutal assignment: two or three looks a day, nearly two weeks straight, every one of them photographed from forty angles. Most people would survive it. She threw a party. Watching her style keep shifting and sharpening, watching her so plainly enjoy the whole circus — that’s the most fun I’ve had with a red carpet in a long time.
My favorite of the run was the polka-dot Jacquemus.
Not everyone is born with hourglass proportions — but almost anyone can dress into them.
The hourglass is a body shape, yes — and those who have it naturally hit the genetic jackpot of proportional symmetry. But the principle behind it? That’s just geometry. Shoulders and hips reading at roughly equal width, with the waist sitting visibly narrower between them. Three elements in alignment. And every body type is a starting point — not a verdict. You’re always just one or two adjustments away from that alignment.
After last week's post — "These Styles Can — and Will — Ruin Your Figure" — I got tons of messages that all boiled down to the same question: Okay, so what SHOULD I wear?
Which — fair enough. That article was necessary. Someone had to say it. But tearing down without building up isn't really my style (pun intended), so consider this the other side of the coin.
That strong, defined shoulder line is everywhere. And no, that's not random. The inverted triangle—you know, broader shoulders, narrower hips—that's basically the supermodel blueprint. Naomi Campbell. Gisele Bündchen. Karlie Kloss. Go to any runway show and watch how the clothes move on this shape. It's architectural. Almost like sculpture you can wear.
This outfit is choking her. Taking her hostage. This is what I thought when looking at this picture of Florence Pugh during the “Thunderbolts” London photocall.
I could blame the wrong size – it’s way too small; you can even notice it’s bursting on the seam right above the slit. The bustier is too tight, causing her body to "spill" slightly at the ribcage and chest, the stiff leather refusing to cooperate with her natural curves. But the true villains here were the material that doesn’t love Florence’s body back (too harsh, too thick) and the cut. The design is very modern, sleek, structured, and edgy, but it simply wasn't designed with her body type in mind.
